Sarah Hennies (b. 1979, Louisville, KY) is a composer and percussionist based in Ithaca, NY. Her work utilizes an often grueling, endurance-based performances practice in a subversive examination of psychoacoustics, queer identity, and expressionistic absurdity. Her work has been presented in a variety of contexts including Café Oto (London), cave12 (Geneva), Ende Tymes (NYC), Festival Cable (Nantes), the Johns Hopkins Digital Media Center, O’ Art Space (Milan), and Second Edition (Stockholm) and she has composed several site-specific works for decommissioned industrial and military spaces such as Silo City (Buffalo, NY), Fort Tilden Bunker (Queens, NY) and The Monon Line Railway (Indianapolis, IN). She received her M.A. from the University of California-San Diego in 2003 where she studied with renowned percussionist Steven Schick and in 2016 was awarded a fellowship in music/sound from the New York Foundation for the Arts.
Hennies is currently a member of improvised music group Meridian with Greg Stuart and Tim Feeney, a duo with sound/performance artist Jason Zeh, and the Queer Percussion Research Group with Jerry Pergolesi, Bill Solomon, and Jennifer Torrence. In late 2017 she premiered the large-scale work, Contralto at Issue Project Room (NYC), a video/sound piece involving strings, percussion, and a cast of transgender women.
As an educator and facilitator, Hennies has directed multiple performances of Cornelius Cardew’s monumental work The Great Learning, served as visiting faculty at the Roots & Rhizomes Percussion Residency at the Banff Center for Arts & Creativity, and has lectured or given workshops at numerous universities and independent venues.
In 2013 Hennies also founded the record label Weighter Recordings for releasing her own work and other new and unusual music by living composers.